Paintings ȸȴ Á¾À̳ª ĵ¹ö½º, ÆгÎ, ¶Ç´Â µ¿±¼À̳ª »ç¿øÀÇ º® µî¿¡ ±¸Ã¼ÀûÀÎ Çü»óÀ̳ª À̹ÌÁö¸¦ Ç¥ÇöÇÑ Á¶Çü¿¹¼úÀÔ´Ï´Ù. Àç·á¿Í ±â¹ý, Ç¥Çö´ë»óÀ̳ª ÁÖÁ¦¿¡ µû¶ó ´Ù¾çÇÏ°Ô ºÐ·ùµÉ ¼ö ÀÖÀ¸¸ç ½Ã´ë¿¡ µû¶ó º¯ÈµÇ¾î ¿ÔÁö¿ä. Ã¥ ¼ÓÀÇ È¶û¿¡ Àü½ÃµÈ ¹ÌÄ̶õÁ©·Î, Ȧ¹ÙÀÎ, ºê·Ú°Ö, ¼è¶ó, ¸¶Æ¼½º µî ´ç´ëÀÇ ÃÖ°íÀÇ È°¡µéÀÇ È¸ÈÀÛÇ°µéÀ» ¾ÆÀ̵é°ú ÇÔ²² °¨»óÇÏ½Ã°í ¾ÆÀ̵éÀÇ ´« ³ôÀÌ¿¡¼ °¢ ±×¸²ÀÇ Æ¯Â¡À̳ª ȹýÀ» µé¿©´Ùº¸¼¼¿ä. ¸¶Áö¸· ÆäÀÌÁö¿¡¼ Ã¥ ¼Ó¿¡ ³ª¿Â ÀÛÇ°À» ±×¸° È°¡¿Í Á¦¸ñ, Á¦ÀÛ¿¬µµ, ¼ÒÀåµÇ¾î ÀÖ´Â ¹Ì¼ú°ü ȤÀº ¹Ú¹°°ü, ȹý µî¿¡ ´ëÇØ ¼Ò°³ÇÏ´Â ¸®½ºÆ®¸¦ Àß Âü°íÇϽþî ÀÛÇ°À» º¸½Ã¸é¼ ÇÊ¿äÇÒ ¶§ ¾ð±ÞÇØÁÖ¼¼¿ä. Åõ¸íÇʸ§À̳ª cut-out È¿°ú¸¦ ÀûÀýÈ÷ È°¿ëÇÏ¸é ¹Ì¼ú°ü¿¡ °¡ ±×¸²À» º¸´Â °Í°ú´Â ´Ù¸¥ »ö´Ù¸¥ Áñ°Å¿òÀ» ¸Àº¼ ¼ö ÀÖÀ¸¸ç, ±×¸² °¨»óÀÌ µûºÐÇÏ°í ´ÜÁ¶·Ó±â¸¸ ÇÏ´Ù´Â À߸øµÈ ÀνĿ¡¼ ¹þ¾î³¯ ¼ö ÀÖ¾î¿ä. Ã¥ µÞºÎºÐ¿¡ ÆäÀÌÁö¸¶´Ù ±×¸² ÇÑ À徿À» Àü½ÃÇÑ µí ¼Ò°³ÇÏ°í, ±× ÀÛÇ°À» °¨»óÇÏ´Â »ç¶÷µéÀ» ÀÛÇ° ¼Ó ³»¿ë°ú ¿¬°áÁö¾î ¼³Á¤ÇØ ³õÀº Àç¹Ìµµ ³õÄ¡Áö ¸¶¼¼¿ä. ¶Ç ¾ÆÀÌ¿Í ÇÔ²² ´«À» Å©°Ô ¶ß°í ±×¸²ÀÇ ÀϺκи¸À» º¸°í ¾î´À ÀÛÇ°ÀÇ ¾îµð¿¡ ¼ÓÇØ ÀÖ´Â °ÇÁö ã¾Æº¸´Â ³îÀ̵µ Çغ¸½Ã±¸¿ä. ¿µ¾î·Î µÈ Ã¥À» Á¢ÇÏ´Â °Íº¸´Ù´Â ÀÌ·¯ÇÑ ÀÛÇ°µéÀ» ´«¿¡ ÀÍÈ÷°í ±×¸²¿¡ ´ëÇÑ ¾È¸ñÀ» ±â¸£´Âµ¥ ´õ Å« Àǹ̸¦ ºÎ¿©ÇßÀ¸¸é ÁÁ°Ú°í, ¾ÆÀ̵éÀÌ ÀÚ½ÅÀÇ ±×¸²À» ÀÚÀ¯·Ó°Ô Ç¥ÇöÇϴµ¥µµ µµ¿òÀÌ µÇ¸®¶ó°í »ý°¢ÇÕ´Ï´Ù. ±×¸®°í Ã¥ ¼Ó¿¡ ¼Ò°³µÈ ÀÛ°¡ÀÇ ÇÑ ÀÛÇ° ¿Ü¿¡ ´Ù¸¥ ÀÛÇ°À» ÀÎÅͳÝÀ» ÅëÇØ °¨»óÇغ¸¼¼¿ä. **¾Æ·¡¿¡ º»¹® ³»¿ë Çؼ®À» ÇÏ¸é¼ °¢°¢ÀÇ ÀÛÇ°À» Å©°Ô º¼ ¼ö ÀÖ´Â »çÀÌÆ®·Î ¸µÅ©¸¦ Çسõ°Ú½À´Ï´Ù. ¹ÌÄ̶õÁ©·Î(Michelangelo Buonarotti)°¡ ½Ã½ºÆ¼³ª ´ë¼º´ç õÀå¿¡ ¸· ¾Æ´ãÀ» ±×¸®·Á°í ÇÕ´Ï´Ù. ¿©±â¸¦ ´·¯ 'The Creation of the World' Áß 'Creation of Adam'À» °¨»óÇϼ¼¿ä. 'õÁöâÁ¶'´Â ¹ÌÄ̶õÁ©·Î°¡ ·Î¸¶ ½Ã½ºÆ¼³ª ¼º´çÀÇ ÃµÀå¿¡ ±×¸° ¼¼°è ÃÖ´ëÀÇ º®È·Î ÇÁ·¹½ºÄÚÈÀ̸ç ÇöÀç ¹ÙÆ¼Ä ¹Ú¹°°ü(Vatican Museums)¿¡ ¼ÒÀåµÇ¾î ÀÖ½À´Ï´Ù. ¹«·Á 4³â¿©¿¡ °ÉÃÄ ¿Ï¼ºÇÑ ÀÌ ´ëÀÛÀº ±¸¾à¼º¼¿Í´Â ±× ¼ø¼°¡ ¹Ý´ë·Î ±×·ÁÁ³½À´Ï´Ù. 1982³â¿¡ ÃÖ÷´Ü ±â¹ýÀ» µ¿¿øÇÑ º¹¿øÀÛ¾÷ÀÌ 9³â¿¡ °ÉÃÄ ½Ç½ÃµÇ¾î ±×¸²À» µ¤°í ÀÖ´ø ¶§¿Í ÈÄ´ë¿¡ ÀÌ·ç¾îÁø µ¡Ä¥ÀÌ Á¦°ÅµÇ¾î º»·¡ÀÇ »öä¿Í ÇüÅ°¡ µÇ»ì¾Æ³µ´Ù°í ÇÕ´Ï´Ù. Ȧ¹ÙÀÎ(Hans Holbein the Younger)´Â ÀÌ ±×¸²¿¡ ÀÌ»óÇÑ ¹°Ã¼¸¦ ¼û°Ü³õ¾Ò¾î¿ä. ¹«¾ùÀϱî¿ä? ¹Ù·Î Á× Àâ¾Æ´ç°Ü ´Ã¾îÁø µÎ°³°ñÀÔ´Ï´Ù. ¿ì¸®´Â ÀÌ·± ±â±³¸¦ '¿Ö»ó(èàßÀ) (ȹý)'À̶ó°í ÇÕ´Ï´Ù. ¿©±â¸¦ ´·¯ 'The Ambassadors'¸¦ °¨»óÇغ¸¼¼¿ä. '´ë»çµé'Àº ¼¼¼ÓÀÇ °úÇаú ¿¹¼ú¿¡ °üÇÑ Áö½ÄÀ» °í·ç °®Ãá Àι°µéÀ» ±×¸®°í ÀÖÁö¸¸ Á¤ÀÛ ÃÊÁ¡Àº ±×µéÀÇ ¹ßÄ¡¿¡ ¿Ö»ó(èàßÀ, anamorphosis)À¸·Î ±×·ÁÁø, ±×·¡¼ Á¤¸é¿¡¼´Â °áÄÚ Çص¶ÇÒ ¼ö ¾ø´Â ÇØ°ñ¿¡ ¸ð¾ÆÁ® ¸ðµç Á¤ÅëÀûÀÎ ½Ã°¢°ú Áö½Ä¿¡ ´ëÇÑ °æ°í¸¦ ÀǵµÇÏ´Â ÀÌ À̹ÌÁö´Â Ãø¸é¿¡¼¸¸, ±×°Íµµ ÀûÀýÇÑ °¢µµ¸¦ Àâ¾Æ¾ß ÆľÇÀÌ °¡´ÉÇÏ´Ù°í ÇÕ´Ï´Ù. ¶Ç µÎ°³°ñÀº Å×À̺í À§¿¡ ³õÀÎ »ç¹°°ú ±ØÇÑ ´ëÁ¶¸¦ ÀÌ·ç¾î Á×À½À» »ó±â½ÃÅ°°í ¿ì¸® ¸ðµÎ°¡ Á×À½À» ÇÇÇÒ ¼ö ¾øÀ½À» º¸¿©ÁÖÁö¿ä. ºê·Ú°Ö(Pieter Bruegel the Elder)ÀÇ ÀÌ ÀÛÇ°(±×¸²)¼Ó¿¡¼ °ÔÀÓÀ» ÇÏ°í ÀÖ´Â »ç¶÷µéÀ» º¸¼¼¿ä. ¸î Á¾·ùÀÇ ³îÀ̸¦ ¾Ë¾Æº¼ ¼ö ÀÖ°Ú¾î¿ä? ±¸½½Ä¡±â/ »À·Î ¸¸µç °ø±â³îÀÌ/ Áٴٸ®±â/ ÆØÀÌÄ¡±â/ ¹°±¸³ª¹«¼±â/ ±¼··¼è/ ´ëÀå³îÀÌ/ ±î¸·Àâ±â ¿©±â¸¦ ´·¯ 'Children's Games'¸¦ °¨»óÇϼ¼¿ä. ¼º¼³ª °íÀüÀû »ðȸ¦ ¼ÒÀç·Î ÇÑ 16¼¼±â ´ç½Ã È°¡µé°ú ´Þ¸® ³ó¹ÎÀÇ »ýÈ°À» »ç½ÇÀûÀÌ°í dzÀÚÀûÀ¸·Î Áñ°Ü ±×·Á '³ó¹Î ºê·Ú°Ö'À̶ó ºÒ¸° BruegelÀÇ ÀÛÇ° Áß Çϳª '¾ÆÀ̵éÀÇ À¯Èñ'ÀÔ´Ï´Ù. °æºñ¿øÀÌ ¼Ò³â¿¡°Ô Á¾ÀÌ ´ÙÆ®¸¦ ´øÁöÁö ¸»¶ó°í ²Ù¢°í ÀÖ½À´Ï´Ù. ¶óÅõ¸£(Georges de la Tour)´Â ÀÌ ±×¸²À» µÎ ¹ø ±×·È½À´Ï´Ù. ´Þ¶óÁø Á¡À» ã¾Æ³¾ ¼ö ÀÖ°Ú¾î¿ä? ÀÌ µÎ ±×¸²¿¡¼ (Ä«µåÇÏ´Â »ç¶÷ Áß) ¿ÞÂÊ¿¡ ÀÖ´Â »ç¶÷ÀÌ ¼ÓÀÓ¼ö¸¦ ¾²°í ÀÖ¾î¿ä. Ç㸮º§Æ® µÚ¿¡ ¿¡À̽ºÄ«µå¸¦ °¨Ãß¾îµ×Áö¿ä. ¿©±â¸¦ ´·¯ 'The Cheat with the Ace fo Diamonds'¸¦ °¨»óÇϽðí, ¿©±â¸¦ ´·¯ 'The Cheat with the Ace of Clubs'¸¦ °¨»óÇϽŠÈÄ µÎ ±×¸²À» ºñ±³Çغ¸¼¼¿ä. ¶óÅõ¸£´Â ºñÅ© Ãâ½ÅÀÇ ÇÁ¶û½º È°¡·Î ±×ÀÇ ÀÛÇ°Àº Á¶°¢ÀûÀÎ Ã游°¨À» Áö´Ï¸ç ¹àÀº »öä°¨ÀÌ ¾ïÁ¦µÇ¾î ÀÖ´Â Á¡ÀÌ 15¼¼±â ¿¹¼úÀ» ȸ»ó½ÃŲ´Ù°í ÇÕ´Ï´Ù. ¼è¶ó(Georges Seurat)´Â ¹«¼öÈ÷ ¸¹Àº ä»öµÈ Á¡µéÀ» Âï¾î ÀÌ ¼Ä¿½º ±×¸²À» ±×·È½À´Ï´Ù. Á¡À¸·Î ±×¸²À» ±×¸®´Â °ÍÀ» Á¡¹¦È¹ýÀ̶ó°í ÇÕ´Ï´Ù. ¿©·¯ºÐÀÌ º¸´Â ±×¸²Àº ÀÌ ´Ù¾çÇÑ »öÀÌ Àß ¼¯¿© º¸ÀÌ´Â °Ì´Ï´Ù. ¿©±â¸¦ ´·¯ 'The Circus'¸¦ °¨»óÇϼ¼¿ä. ¼è¶ó´Â ¼¼ÀÜ°ú ÇÔ²² 20¼¼±â ȸÈÀÇ »õ ÀåÀ» ¿¬ ½ÅÀλóÁÖÀÇ È°¡·Î »öä¿ø¸®¸¦ °úÇÐÀûÀ¸·Î ü°èÈÇß½À´Ï´Ù. ¿ì¸®¿¡°Ô´Â '±×¶ûÀÚÆ®¼¶ÀÇ ÀÏ¿äÀÏ ¿ÀÈÄ(Sunday Afternoon on the Island of the Grande Jatte)'¶ó´Â ÀÛÇ°À¸·Î Àß ¾Ë·ÁÁ® ÀÖ½À´Ï´Ù. ¿©±â¸¦ ´·¯ °¨»óÇغ¸¼¼¿ä. Åõ¸íÇÑ ÆäÀÌÁö¸¦ ³Ñ°Ü ¸¶Æ¼½º(Henri Matisse)ÀÇ ±×¸² 'The Dance'¸¦ º¸¼¼¿ä. ¿ªµ¿°¨À» Àß µå·¯³»°í ÀÖÁö ¾Ê½À´Ï±î. ¿©±â¸¦ ´·¯ 'The Dance'¸¦ °¨»óÇϼ¼¿ä. ¸¶Æ¼½º´Â 20¼¼±â ȸÈÀÇ ÀÏ´ë Çõ¸íÀ» ÀÏÀ¸Å² ¾ß¼öÆÄ¿´À¸¸ç ¿ø»öÀÇ ´ë´ãÇÑ º´·ÄÀ» °Á¶ÇÏ°í º¸»ö°ü°è¸¦ ±³¹¦È÷ »ì¸®¸ç È®°íÇÑ ÀڽŸ¸ÀÇ ¿¹¼ú¼¼°è¸¦ ±¸ÃàÇÑ °ÍÀ¸·Î Æò°¡¹Þ°í ÀÖ½À´Ï´Ù. ÀÚ ÀÌÁ¦ ¿ì¸® ȶûÀÇ ±×¸²µéÀ» °¨»óÇغ¸¼¼¿ä. 'Snap the Whip' - Winslow Homer ¿©±â¸¦ ´©¸£¼¼¿ä. È£¸Ó´Â dz°æÈ¿Í Ç³¼Óȸ¸À» °è¼Ó ±×¸®¸ç ´ë»óÀÇ ¸íÈ®ÇÑ ¹¦»ç·Î µ¶Æ¯ÇÑ ÈdzÀ» ¼ö¸³ÇÏ¿´°í, Åë¼ÓÀûÀÎ ÁÖÁ¦¿¡ ¼Á¤¼ºÀ» °çµé¿© À¯·´Ç³ À§ÁÖÀÇ ¹Ì±¹È´Ü¿¡ »õ·Î¿î ¹Ù¶÷À» ºÒ·¯ÀÏÀ¸ÄÑ ´ëÁßÀÇ ÁöÁö¸¦ ¹Þ¾Ò½À´Ï´Ù. ¿©±â¸¦ ´·¯ È£¸ÓÀÇ ÀÛÇ°À» °¨»óÇϼ¼¿ä. 'The Conjurer' - Hieronymus Bosch º¸½´´Â Çöûµå¸£ÀÇ ´ëÇ¥ÀûÀÎ È°¡ ¿©±â¸¦ ´·¯ º¸½´ÀÇ ÀÛÇ°À» °¨»óÇϼ¼¿ä. 'A Meeting' - Marie Bashkirtseva 'Pere Junier's Cart'- Henri Rousseau ·ç¼ÒÀÇ ±×¸²Àº ºñ·Ï Á¶¼Ò¿Í Á¸°æÀ» ¾Æ¿ï·¯ ¹Þ¾ÒÁö¸¸ ´Ü¼øÇÏ°í ¼øÁøÇÏ°Ô ´ë»óÀ» ¸¶ÁÖº¸°í ÀÚ½ÅÀÇ ³í¸®´ë·Î ¼Ò¹ÚÇÏ°Ô ±× ¼¼°è¸¦ ¿Å°Ü³õ¾Ò½À´Ï´Ù. ¿©±â¿¡ °¡¸é ·ç¼ÒÀÇ ÀÛÇ°À» º¼ ¼ö ÀÖ½À´Ï´Ù. 'The Meal'- Paul Gauguin °í°»Àº ÇÁ¶û½º Èıâ ÀλóÆÄ È°¡ ¿©±â·Î °¡ 'The Meal'À» °¨»óÇϼ¼¿ä. ¿©±â¿¡¼´Â °í°»ÀÇ ´Ù¾çÇÑ ÀÛÇ°À» º¼ ¼ö ÀÖ½À´Ï´Ù. 'Children with Lanterns'- Tadeusz Makovsky 'The Dancing Class'- Edgar Degas ¿©±â¸¦ ´·¯ 'The Dancing Class'¸¦ °¨»óÇϼ¼¿ä. µå°¡´Â Á¤È®ÇÑ ¼Ò¹¦´É·Â À§¿¡ ½Å¼±ÇÏ°í È·ÁÇÑ »öä°¨ÀÌ ³ÑÄ¡´Â ±Ù´ëÀû °¨°¢À» Ç¥ÇöÇÏ¿´°í,Àι°µ¿ÀÛÀ» Àâ¾Æ ¼ø°£ÀûÀÎ Æ÷Á ±³¹¦ÇÏ°Ô ¹¦»çÇÏ¿© »õ·Î¿î °¢µµ¿¡¼ ºÎºÐÀûÀ¸·Î ºÎ°¢½ÃÅ°´Â ¼ö¹ýÀ» °Á¶Çߴµ¥, °æ¸¶³ª ¹«Èñ, ¿åÅÁ¿¡ µé¾î°¡°Å³ª ³ª¿À·Á´Â ¿©¼ºÀÇ ÇÑ ¼ø°£ÀÇ µ¿ÀÛÀ» Áñ°Ü ±×·È½À´Ï´Ù. ¿©±â¿¡ °¡¸é µå°¡ÀÇ ´Ù¾çÇÑ ÀÛÇ°À» º¼ ¼ö ÀÖ½À´Ï´Ù. 'The Three Musicians' - Pablo Picasso ¿©±â·Î °¡¼ 'The Three Musicians'¸¦ º¸¼¼¿ä. ÇÇÄ«¼Ò´Â ÇÁ¶û½ºÀÇ ÀÔüÆÄ È°¡·Î 20¼¼±â ȸÈÀÇ ÃÖ´ë °ÅÀåÀ¸·Î ÀÏÄþîÁý´Ï´Ù. ¿©±â¸¦ ´©¸£½Ã¸é ÇÇÄ«¼Ò ±×¸² 260Á¡À» °¨»óÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù. ÀÌ ¼¼ºÎ¹¦»ç ±×¸²Àº ¸ðµÎ ÀÌ Ã¥ ¼ÓÀÇ ÀÛÇ°ÀÇ ÀϺκÐÀÔ´Ï´Ù. ¾î´À ¼¼ºÎ¹¦»ç ±×¸²ÀÌ ¾î¶² ÀÛÇ°¿¡ ¼ÓÇÏ´Â °ÍÀÎÁö ±¸ºÐÇÒ ¼ö ÀÖ°Ú¾î¿ä? ¿©·¯ºÐÀº ÀÏ»ó»ýÈ°¿¡¼ º¸´Â Àå¸éµéÀ» ±×·Áº¸·Á°í ÇØ º¸¼Ì¾î¿ä? **Àß ¸ð¸£´Â ´Ü¾î³ª óÀ½ ³ª¿À´Â ´Ü¾î´Â ¿µ¿µ»çÀüÀ» È°¿ëÇÏ½Ã¸é ¸¹Àº µµ¿òÀÌ µË´Ï´Ù. ¿µÇÑ»çÀüº¸´Ù ±× Àǹ̸¦ Á¤È®ÇÏ°Ô ÀÌÇØÇÒ ¼ö ÀÖ°í, ¾ÆÀÌ¿¡°Ô ¼³¸íÇØ ÁÙ ¶§µµ ÁÁÀº Âü°í°¡ µÇ´Ï±î¿ä. anamorphosis: Àϱ׷¯Á® º¸ÀÌ´Â »ó, ¿Ö»ó Mannered or distorted imagery that can be optically corrected by examining it from an unconventional point of view or through some optical device. Although the term usually indicates a simple visual example of the phenomenon, as in Hans Holbein's The Ambassadors, pointillism : (½Å(ãæ)ÀλóÆÄ°¡ ¾´) Á¡¹¦(ïÇÙÚ)ȹý. a style of painting developed in France at the end of the 19th century in which a painting is created out of small spots of pure colour which seem to mix when seen from far away skull : µÎ°³°ñ the bony part of the head, which surrounds the brain marbles: ±¸½½Ä¡±â ( play marbles : ±¸½½Ä¡±âÇÏ´Ù) a children's game in which small round glass balls are rolled along the floor. tug-of- war: Áٴٸ®±â a type of sport in which two teams show their strength by pulling against each other at the opposite ends of a rope, and each team tries to pull the other over a line on the ground hoop : a ring of wood, metal or plastic follow my leader : ´ëÀåÀÌ µÈ ¾î¸°ÀÌÀÇ µ¿ÀÛÀ» ¸ðµÎ°¡ Èä³»³»´Â ³îÀÌ a children's game in which one child is followed by a line of other children, who have to copy everything the first child does. blind man's buff : ´«À» õÀ¸·Î °¡¸®°í ´Ù¸¥ ¾ÆÀ̵éÀ» Àâ´Â ³îÀÌ a children's game in which one person who has a cloth tied over their eyes tries to catch the others. What do you think Michelangelo is going to paint in here? This painting is called 'The Creation of the World'. Can you find where the skull in this picture? Here it is, at the bottom of the picture. It is distorted. Would you point to the people playing 'Follow my leader'? (³îÀÌÀÇ À̸§À» ¹Ù²ã ¹°¾îº¸¼¼¿ä) Do you want to play marbles like them? Let's see differences between these pictures. An ace is a playing card with a single mark . It's the ace of diamonds, and this one is the ace of clubs. Seurat is one of the the most famous Pointillists. Let's see this detail with a magnifying glass. Do you see these dots? When they are seen from far away, they look mixed. Isn't it funny the people in the gallery take the same pose as the art works? Which painting does this detail belong? This is from 'Children's Games' by Bruegel. http://my.netian.com/~kyungkim/mus.htm-300°³ ¹Ú¹°°üÀÌ ¸µÅ©µÇ¾î ÀÖ¾î ¿øÇÏ´Â °÷À» Ŭ¸¯ÇØ µé¾î°¥ ¼ö ÀÖ½À´Ï´Ù. http://members.tripod.lycos.co.kr/neototoro/Pieter.htm(ºê·Ú°Ö) http://www.thomastallis.greenwich.sch.uk/dept/hoa/ambassadors.html http://www.wolganmisool.com/199909/artist_01.htm- http://www.pcgallery.co.kr/b/b0319003.htm(¶óÅõ¸£) http://matisse.hypermart.net/dance.html µÎ»ê¼¼°è´ë¹é°ú EnCyber http://dictionary.cambridge.org/