The Impressionists Art/ First Discovery Moonlihgt Publishing ù¹ß°ß ¾ÆÆ® The Impressionists ¿¡´Â ¸ð³×, ¸¶³×, µå°¡, ¼¼ÀÜ´À µîÀ» Áß½ÉÀ¸·Î 19¼¼±â ÇÁ¶û½º¿¡¼ ½ÃÀÛµÈ ÀλóÁÖÀÇÆĵéÀÇ ÁÖ¿ä ÀÛÇ°°ú ±×µéÀÇ ÀÛÇ°¼¼°è ¹× ÀλóÁÖÀÇÀÚµéÀÇ Æ¯Â¡À» ¼³¸íÇÏ°í ÀÖ½À´Ï´Ù. ÀλóÁÖÀÇ È°¡µéÀº ´ç½Ã¿¡ °ø½Ä°úµµ °°ÀÌ ±×¸²À» ±×¸®´Â ¾ÆÄ«µ¥¹Í ÇÐÆÄ¿¡ ´ëÇÑ ¹Ý±â·Î ÀÏ¾î³ È¸È¿îµ¿À¸·Î¼, ´ëºÎºÐ È½Ç ¹ÛÀÇ ¾ß¿Ü °ø°£¿¡¼ ±×¸²À» ±×·È´Ù°í ÇÕ´Ï´Ù. ÀÌ´Â »ç¹°ÀÌ ÀÚ¿¬±¤À» ¹Þ¾ÒÀ» ¶§ ÀϾ´Â º¯È¸¦ Á¤È®È÷ ±×·Á³»±â À§Çؼ¿´´Âµ¥, ÀÌ ¼ø°£ ¼ø°£ÀÇ º¯È¸¦ Ç¥ÇöÇØ ³»±â À§ÇØ ÀλóÁÖÀÇÀÚµéÀº ¹°Ã¼ÀÇ °íÀ¯»öÀ» ºÎÁ¤Çß´Ù°í ÇÕ´Ï´Ù. ÀλóÁÖÀÇ´Â ¸ð³×, ¸¶³×, µå°¡, ¸£´À¿Í¸£µîÀ» Áß½ÉÀ¸·Î Ãʱâ ÀλóÁÖÀǸ¦ Çü¼ºÇÑ ÀλóÁÖÀÇ, Á¡¹¦ÁÖÀÇ ÈdzÀ¸·Î ÀλóÁÖÀǸ¦ ´õ¿í ¹ßÀü½ÃŲ ¼è¶ó, ½Ã³ÅÀ» Áß½ÉÀ¸·Î ÇÑ ½ÅÀλóÁÖÀÇ, °í°», °íÈ£, ¼¼ÀÜ´À¸¦ Áß½ÉÀ¸·Î ÇÑ ÈıâÀλóÁÖÀÇÀÇ 3°¡Áö À¯ÆÄ·Î ³ª´µ´Âµ¥, ù¹ß°ß ¾ÆÆ®½Ã¸®Áî¿¡´Â Ưº°ÇÑ ±¸ºÐ¾øÀÌ À̵éÀÇ ÀÛÇ°À» °ñ°í·ç ¼Ò°³ÇÏ°í ÀÖ½À´Ï´Ù. ÀλóÁÖÀÇ¿Í °¢ 3°¡Áö À¯Æĸ¦ ÀÚ¼¼ÇÏ°Ô ¼³¸íÇÑ »çÀÌÆ®¸¦ ¹æ¹®Çϼ¼¿ä. ÀλóÁÖÀÇ 1 ÀλóÁÖÀÇ 2 ÀλóÁÖÀÇ 3 ÀλóÁÖÀÇ 4 °¢ ÀλóÁÖÀÇ È°¡µéÀÇ ÀÛÇ°°ú Çؼ³À» º¼ ¼ö ÀÖ½À´Ï´Ù. ÀλóÁÖÀÇÀÚµéÀÇ ÀÛÇ°°ú Çؼ³ ¶ÇÇÑ Ã¹¹ß°ß ¾ÆÆ®½Ã¸®Áî¿¡ ±×¸²ÀÇ Æ¯Â¡ÀÌ Àß µå·¯³ªµµ·Ï Áß°£Áß°£¿¡ »ç¿ëµÈ Åõ¸í½ÃÆ®Áö¿Í ±¸¸ÛÀÌ ¶Õ¸° Ä®¶ó ½ÃÆ®Áö´Â °¢ ±×¸²¿¡ ´ëÇÑ ÁÖÀÇ¿Í °ü½ÉÀ» ²ø°Ô ¸¸µå´Â Áß¿äÇÑ Æ÷ÀÎÆ®ÀÔ´Ï´Ù. ÀÌ ½ÃÆ®Áö¸¦ ÀûÀýÇÏ°Ô Àß »ç¿ëÇÏ¸é ¾ÆÀ̵éÀÌ ±×¸²¿¡ ´ëÇØ ´õ¿í Æø³Ð°Ô ÀÌÇØÇÒ ¼ö ÀÖµµ·Ï µµ¿ÍÁÙ ¼ö ÀÖ½À´Ï´Ù. ±×·³ º»¹®ÀÇ ³»¿ëÀ» º¸°Ú½À´Ï´Ù. ÀλóÁÖÀÇ´Â 19¼¼±â¿¡ ¹ß´ÞÇßÀ¸¸ç, ¿¹¼ú°¡µéÀÌ Á÷Á¢ °æÇèÇÏ´Â ¼¼°è¿¡ ´ëÇÑ ±×µéÀÇ ¹ÝÀÀ°ú ´À³¦À» ¹Ý¿µÇÑ °ÍÀ̾ú½À´Ï´Ù. ºû ±³ÅëÀÇ »õ·Î¿î ÇüÅ ÀÏ»ó»ýÈ°ÀÇ »ç¶÷µé ¾ß¿Ü¿¡¼ ±×¸²±×¸®±â °èÀý Çö´ëÀûÀÎ µµ½Ãµé ±×µé ÀÌÀüÀÇ È°¡ Courbet¿Í °°ÀÌ ÀλóÁÖÀÇÀÚµéÀº ¿¹¼úÇб³¸¦ ±âÇÇÇß½À´Ï´Ù. ±×µéÀº ¿À·ÎÁö ÇѸíÀÇ ´ë°¡¸¦ ¹Þ¾Æµé¿´´Âµ¥, ¹Ù·Î "ÀÚ¿¬"À̾ú½À´Ï´Ù. ¹°°¨°ú º×À» °¡Áö°í ´Ù´Ï´ø È°¡µéÀº ÇÏ·ç Áß ¼ø°£À» Æ÷ÂøÇß½À´Ï´Ù. ÀλóÁÖÀÇÀÚµéÀº ±×µéÀÇ Ç³°æÈ¿¡¼ »ç¶÷°ú ³ª¹µÀÙ»çÀ̸¦ »ì¶û°Å¸®´Â ¹Ù¶÷À» ±×¸®´Â °ÍÀ» ÁÁ¾ÆÇß½À´Ï´Ù. ¿©¸§ÀÇ ¿±â°¡ ±×´Ã¿¡¼ ½¬°í ÀÖ´Â »ç¶÷µé¿¡ ÀÇÇØ Çü»óȵ˴ϴÙ. ÇÞºûÀº ¿À·ÎÁö ±×µéÀÌ ÀÔ°í ÀÖ´Â ¿Ê, Àܵð¿Í ¾à°£ÀÇ ±æ...¿¡¸¸ ¹Ý¦ÀÔ´Ï´Ù. (ÁÖ: Ŭ¶ó¿ìµå ¸ð³×ÀÇ ÀÛÇ° Women in the Garden(Á¤¿øÀÇ ¿©ÀÚµé, 1866-1867) °ú Ŭ¶ó¿ìµå ¸ð³×ÀÔ´Ï´Ù.) Ŭ¶ó¿ìµå ¸ð³×ÀÇ ÀÏ»ý ¹× ÀÛÇ°µé µå°¡´Â µµ½Ã»ýÈ°ÀÇ È°´ÞÇÔ°ú Ưº°È÷ ±ØÀåÀ» ¼±È£Çß½À´Ï´Ù. ±×´Â ¹ß·¹¿¡ ±²ÀåÈ÷ ¸ÅȤµÇ¾î ÀÖ¾ú½À´Ï´Ù. (ÁÖ: ¹ß·¹ÇÏ´Â ¼Ò³àÀÇ µÞ¸ð½ÀÀ» ÀâÀº ½ÃÆ®Áö¸¦ ³Ñ±â¸é ´Ù½Ã ¹ß·¹ÇÏ´Â ¼Ò³à¸¦ ½ºÄÉÄ¡ ÇÑ µÞ¸ð½ÀÀ» º¼ ¼ö ÀÖ½À´Ï´Ù. ÀÌ Ã¥À» ±âȹÇÑ »ç¶÷µéÀÇ ¹ø¶àÀÌ´Â ¾ÆÀ̵ð¾î°¡ ÂüÀ¸·Î Àç¹ÌÀÖ½À´Ï´Ù.) ±×´Â ¹«¿ë¼öµéÀÇ ¿òÁ÷ÀÓÀ» Á¤È®È÷ Àâ±â À§ÇØ ¸î ¹øÀÌ°í ¹Ýº¹Çؼ ¹«¿ë¼öµéÀ» ½ºÄÉÄ¡ÇÏ°í ±×·È½À´Ï´Ù. ¿¡µå°¡ µå°¡(1834~1917) ¾Þ±×¸£ÀÇ Á¦ÀÚ·Î ¿ª»çÈ°¡·Î¼ Ãâ¹ßÇßÀ¸³ª »öä, Å×Å©´Ð, ±¸¼º»óÀÇ ´ë´ãÇÏ°í ±â³ª±ä ½ÇÇèÀÛ¾÷¿¡ ¹ßÀ» µé¿©³õ¾Ò´Ù°í ÇÕ´Ï´Ù. ÀλóÁÖÀÇÀü¿¡ Âü¿©Çϱä ÇßÁö¸¸, ±× ÀÚ½ÅÀº ÀλóÆÄ·Î ºÐ·ùµÇ´Â °ÍÀ» ÁÁ¾ÆÇÏÁö ¾Ê¾Ò´Ù³×¿ä. ±×´Â °íÀüÁÖÀÇÀÇ ¿µÇâÀ¸·Î ³¯Ä«·Î¿î °üÂûÀ» ÅëÇÑ ÈǸ¢ÇÑ ¼Ø¾¾ÀÇ µ¥»ý°ú »ç¹°ÇüÅÂÀÇ À±°ûÀ» ¸íÈ®ÀÌ ¼±¹¦ÇÏ·Á´À °Í, ±×¸®°í °ÇÑ ¸í¾Ï ¹× äµµ ´ëºñÀÇ È¿°ú µî¿¡ Ä¡ÁßÇÏ¿´´Ù°í ÇÕ´Ï´Ù. ¸£´À¿Í¸£´Â ÀλóÀ» ½É¾îÁÖ´Â °Í »Ó¸¸ ¾Æ´Ï¶ó, Áñ°Å¿ò, Çູ°ú °°Àº °¨Á¤À» º¸¿©ÁÖ°í ½Í¾îÇß½À´Ï´Ù. "¿ì¸®°¡ ÀλýÀ» ´õ ³ªºüº¸À̵µ·Ï ÇÏÁö ¾Ê´Â´Ù¸é, Àλý ÀÚü°¡ ³ª»Ú´Ù." Renoir, Pierre-Auguste (1841~1926) Æò¼Ò ±×¸²À̶õ Áñ°Ì°í ¾Æ¸§´Ù¿î À¯ÄèÇÑ ÀÏÀÌ µÇ¾î¾ß ÇÑ´Ù°í ÁÖÀåÇÑ ¸£´À¿Í¸£´Â Æò»ý ¹à°í ºû³ª°í dzºÎÇÑ »öäÀÇ ±×¸²µéÀ» ±×·È´Ù°í ÇÕ´Ï´Ù. ù¹ß°ß¿¡ ½Ç¸° ±×ÀÇ µÎ°¡Áö ±×¸²À» ºñ±³Çغ¸¼¼¿ä. µµ½ÃÀÇ »ýÈ°°ú ½Ã°ñÀÇ »ýÈ°À» ´ÜÀûÀ¸·Î º¸¿©ÁÝ´Ï´Ù. µµ½Ã¿¡¼ÀÇ Ãã 1883 ½Ã°ñ¿¡¼ÀÇ Ãã 1883 ¸£´À¿Í¸£ÀÇ ´Ù¸¥ ÀÛÇ°À» °¨»óÇÒ ¼ö ÀÖ´Â °÷ »çÁø»ç¿Í °°ÀÌ ÀλóÁÖÀÇ È°¡µéÀº ºûÀÌ Á¤È®ÇÑ ¼ø°£¿¡ »ç¹°ÀÇ ÀλóÀ» ÁÙ ¶§, ºûÀ» Á¤È®È÷ Æ÷ÂøÇÕ´Ï´Ù. ¸ð³×´Â ºû°ú ±×´ÃÀÌ ¼º´ç Á¤¸é¿¡¼ ¿òÁ÷ÀÌ´Â ¹æ½ÄÀÇ ±× ²÷ÀÓ¾ø´Â º¯È¸¦ °üÂûÇÕ´Ï´Ù. Ç×»ó °°Àº ¼º´çÀÌÁö¸¸, ´Ü Çѹøµµ °°Àº ¸ð½ÀÀ» ÇÏÁö´Â ¾Ê½À´Ï´Ù. À̸¥ ¾ÆħÀÇ ºû ¹àÀº ÇÞºû ±¸¸§ ³¤ ¸ð½À (ÁÖ: ºûÀÇ ¹Ì¹¦ÇÑ º¯È¸¦ ¾ÆÀÌ¿Í ÇÔ²² Á÷Á¢ ½ÇÇèÇϼ¼¿ä. µ¿³× ÁÖº¯ÀÇ °Ç¹°À̳ª »ç¹°, ÀÚ¿¬°æ°üÀ» Çϳª Á¤Çؼ, ¿ÀÀü, ¿ÀÈÄ, Àú³á¿¡ ³ª°¡ ºûÀÇ ¾ç°ú ±×´Ã¿¡ µû¶ó Á¶±Ý¾¿ º¯ÈµÇ´Â ¸ð½ÀÀ» ¾ÆÀÌ¿Í ÇÔ²² È®ÀÎÇϼ¼¿ä. ´Ù¸£°Ô ´À²¸Áö´Â ¸ð½À¿¡ ´ëÇØ ¾ÆÀÌ¿Í ´ëÈÇÏ´Â °Ì´Ï´Ù. Á¶±Ý ¿©À¯°¡ µÈ´Ù¸é ±× ¸ð½ÀÀ» ±×¸²À¸·Î Ç¥ÇöÇصµ ÁÁ°ÚÁö¿ä. ±×·¯³ª ±× Á¤µµÀÇ ½Ç·ÂÀº ¾ÆÁ÷ ¾î¸°¾ÆÀÌ¿¡°Ô´Â ¹«¸®ÀÏ µí ½Í³×¿ä.^^) ÀÌÁ¦´Â ´ÙÀ½ÀÇ ±×¸²µéÀ» °¨»óÇϼ¼¿ä. ÀÌ ±×¸²µéÀº ¼ö¸¹Àº Á¡µé·Î ±×·ÁÁø ºû°ú »ö»óÀÌ °¡µæÇÑ ±×¸²ÀÔ´Ï´Ù. »¡·¡¸¦ ³Î°í ÀÖ´Â ¿©ÀÚ(1887) Ä«¹Ð ÇÇ»ç·Î ¾ç±Íºñ µéÆÇ(1873) Ŭ¶ó¿ìµå ¸ð³× Port-en-Bessin, High Tide(1888) Á¶¸£Áê ¼è¶ó Çן±â(ùøöèѦ)(1903) ¸ß½Ã¹Ð·± ·ç½º Ä«µå³îÀÌ ÇÏ´Â »ç¶÷µé(1890-1895) Æú ¼¼ÀÜ´À siesta (ÁÖ: ½ºÆäÀÎ,³²¹Ì µîÀÇ ³·Àá)(1890) ºó¼¾Æ® ¹Ý °íÈ£ (ÁÖ: ¼è¶ó, ½Ã³ÅµîÀ» Áß½ÉÀ¸·Î ÇÑ ½ÅÀλóÆĵéÀº Á¡¹¦ÁÖÀÇ ±â¹ýÀ» ¸¹ÀÌ »ç¿ëÇß½À´Ï´Ù. Á¡¹¦ÁÖÀÇ´Â µ¶Ã¢ÀûÀÎ Å×Å©´ÐÀÇ ±â¹ÝÀ» ÀÌ·ç´Â °ÍÀ¸·Î½á, ĵ¹ö½º¿¡ »öÄ¥À» ÇØ ³ª°¥ ¶§ ¼ø»ö¸¸À» »ç¿ëÇ쵂 À̸¦ ÀÏü µÚ¼¯Áö ¾ÊÀ¸¸é¼ ÀÛÀº Á¡À¸·Î Âï¾î³ª°¡´Â ¹æ¹ýÀ» ¸»ÇÑ´Ù. ÀÌ °æ¿ì »öÁ¶ÀÇ ¼øµµ´Â ±×´ë·Î À¯ÁöÇϸ鼵µ º¸´Â ÀÌÀÇ ¸Á¸·À§¿¡¼ Áß°£»öÀÌ Çü¼ºµÇ´Â È¿°ú¸¦ ³º°Ô µÈ´Ù°í Çϳ׿ä Ãâó: http://myhome.naver.com/monetmuseum/im.htm) ÀÌ Ã¥¿¡¼ º» ±×¸²ÀÇ ÀϺκÐÀ» È®´ëÇÑ °Íµé ÀÚ¼¼È÷ º¸°í, ÀÌ ±×¸²µéÀÇ ¿øº»ÀÌ ¹«¾ùÀÎ Áö ¾Ë¾Æ¸ÂÃ纸¼¼¿ä. (ÁÖ: ¾ÆÀÌ¿Í ÇÔ²² ÀÌ Á¶°¢±×¸²ÀÇ ¿øº»À» ¾Ë¾Æ¸ÂÃß´Â °ÔÀÓÀ» Çغ¸¼¼¿ä. ±×¸²À» ´Ü¼øÇÏ°Ô º¸Áö ¾Ê°í ÀÚ¼¼È÷ °üÂûÇÏ°Ô ¸¸µå´Â ±âȹÀÚÀÇ Àǵµ°¡ µ¸º¸À̳׿ä) È°¿ë¿¹¹®À» ¼Ò°³ÇÕ´Ï´Ù. Let's look at the cover of this book. These pictures are so beautiful and natural. What can you feel from these pictures? Mommy feels cozy and warm. Who do you know drew these pictures? They were Impressionist painters. Impressionist painters drew pictures as they saw things in the sunlight. (ÀλóÁÖÀÇ È°¡µéÀº ÇÞºû¿¡ »ç¹°ÀÌ º¸À̴´ë·Î ±×¸²À» ±×·È´Ü´Ù.) And they drew things around them like people in everyday life, seasons, outdoor activities and so on. (±×µéÀº ÀÏ»ó»ýÈ°ÀÇ »ç¶÷µé, °èÀý, ¾ß¿ÜÈ°µ¿°ú °°Àº ÁÖº¯ÀÇ °ÍµéÀ» ±×¸²À¸·Î ±×·È¾î.) So their pictures are so natural. OK, then let's look at each picture of a painter. The title of this picture is "Women in the Garden" by Monet. Some women and a man are resting in the garden. Some spots are shady and some spots are bright (¾î¶² °÷Àº ±×´ÃÀÌ ¸¹ÀÌ Áö°í, ¾î¶² °÷Àº ¹à±¸³ª) Can you find the shady spots and bright spots? (±×´ÃÁø °÷°ú ¹àÀº °÷À» ãÀ» ¼ö ÀÖ°Ú´Ï?) Look at these ballet dancers. These pictures are painted by Degar. The dancers look so energetic. These dancing couples look so happy and joyful. These pictures are painted by Renoir. Look at these cathedrals. They are the same cathedrals. Can you find the differences among them? (¼º´çµéÀÇ Â÷ÀÌÁ¡À» ¾Ë ¼ö ÀÖ´Ï?) They look different because of sunlight. Let's go out to see the differences trees in the sunlight outside later. (¿ì¸®µµ ³ªÁß¿¡ ¹Ù±ù¿¡ ³ª°¡ ÇÞºû¼Ó¿¡¼ ³ª¹«°¡ ¾î¶»°Ô º¯ÇÏ´Â Áö ¾Ë¾Æº¸ÀÚ.) Vocabulary reflection: ¹Ý¿µ reaction: ¹ÝÀÀ shun: ...À» ȸÇÇÇÏ´Ù(avoid) master: ±³»ç, ¼±»ý, °³ÀÎ Áöµµ ±³»ç, ±³Àå. ½º½Â; (ÀåÀÎÀÇ) ¿ìµÎ¸Ó¸®, (µ¶¸³ÇÑ) ÀåÀÎ; (±â¿¹¡¤°úÇÐ µîÀÇ) Á¤ÅëÀÚ, ´ë°¡, ¸í¼ö, ¸íÀÎ. capture:¡¦À» (Èû¡¤°èÃ¥ µîÀ¸·Î) ºÙÀâ´Ù, Æ÷ȹÇÏ´Ù; ¡¦À» Æ÷·Î·Î ÇÏ´Ù; ¡¦À» ³ëȹÇÏ´Ù; ÇÔ¶ô½ÃÅ°´Ù(seize). catchº¸´Ù µüµüÇÑ ¸» ¡¦À» (»çÁø µî¿¡) ´ã´Ù; »ç·ÎÀâ´Ù. rustle: ¿Í»è°Å¸®´Ù, ¹Ù½º¶ô°Å¸®´Ù, »ì¶û°Å¸®´Ù. bustle: ºÐÁÖÈ÷ µ¹¾Æ´Ù´Ï´Ù, ¼³Ä¡´Ù. µ¸¿ì´Ù; ÀçÃËÇÏ´Ù. exactly: Á¤È®È÷ precise: Á¤È®ÇÑ facade: (°Ç¹°ÀÇ) Á¤¸é(front), Àü¸é(îñØü), °Ñº¸±â, ¿Ü°ü, Çã¿ï *¹ßÀ½À» ÁÖÀÇÇϼ¼¿ä. ¿µ¾î½Ä ¹ßÀ½±âÈ£¸¦ ÀÚÆÇÀ̳ª ±âÈ£ÆÇ¿¡¼ ãÀ» ¼ö ¾ø¾î ºÎµæÀÌÇÏ°Ô ¿ì¸®¸»·Î ¿Å±é´Ï´Ù. "ÈÌ»ç¾Æµå.." ±×·¯³ª ²À »çÀüÀ» ÇÑ ¹ø ´õ ã¾ÆÁÖ¼¼¿ä overcast: ±¸¸§À¸·Î µ¤´Ù, È帮°Ô ÇÏ´Ù, ¾îµÓ°Ô ÇÏ´Ù; (½½ÇÄ µîÀ¸·Î) À½¿ïÇÏ°Ô ¸¸µé´Ù poppy: ¾ç±Íºñ Âü°í»çÀÌÆ® ¹× Ãâó http://myhome.naver.com/monetmuseum http://my.dreamwiz.com/kalki/index.html http://monet.pe.kr http://my.netian.com/~cminho/ http://art.designshe.com/ http://dic.naver.com