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Åõ¸íÇʸ§Áö°¡ Áִ Ư¼öÈ¿°ú ´öÅÿ¡ ¾ÆÀ̵µ Áö·çÇÏÁö ¾Ê°Ô ¿¹¼úÇ°À» ´«¿©°Üº¸°Ô µÉ °Å¿¹¿ä. ¿©±â¸¦ ´·¯ ·çºê¸£ ¹Ú¹°°ü °ø½Ä ȨÆäÀÌÁöµµ ÀØÁö¸»°í ¹æ¹®Çغ¸¼¼¿ä. Áø±ÍÇÑ ¹°°Çµé·Î °¡µæ Âù, ÃâÀÔ±¸°¡ ÇǶó¹Ìµå ¸ð¾çÀÎ ÀÌ Ä¿´Ù¶õ °Ç¹°Àº ¹»±î¿ä? Æĸ®¿¡ ÀÖ´Â ·çºê¸£ ¹Ú¹°°üÀÔ´Ï´Ù. < »þ¸¦¸£ 5¼¼ ¶§ÀÇ ·çºê¸£> ÇÁ¶û½º ±¹¿Õ Çʸ³ ¿À±Í½ºÆ®´Â 1200³â ·çºê¸£¸¦ °Ç¼³Çϱ⠽ÃÀÛÇß½À´Ï´Ù. 1360³â »þ¸¦¸£ 5¼¼´Â ¿ä»õ¸¦ ÇϳªÀÇ ¼ºÀ¸·Î ¸¸µé¾ú½À´Ï´Ù. (È®Àå°ø»ç¸¦ ÇØ ¼ºÀ» °Ç¹°µé·Î µÑ·¯½×Áö¿ä.) ÇÁ¶û¼ö¿Í 1¼¼, ¾Ó¸® 4¼¼, ·çÀÌ 14¼¼ µî ÇÁ¶û½º ±¹¿ÕµéÀº ·çºê¸£ ¼ºÀ» ÁõÃàÇØ È®ÀåÇسª°¡°í, ¿¹¼ú ÀÛÇ°µé·Î ä¿ì±â ½ÃÀÛÇß½À´Ï´Ù. ¿©±â¸¦ ´©¸£¼Å¼ Pol de LimbourgÀÇ 'The Louvre of Charles ¥´'¸¦ °¨»óÇϼ¼¿ä. ¿©±â·Î °¡½Ã¸é ·çºê¸£ÀÇ ¿¬ÇõÀ» »ìÆ캼 ¼ö ÀÖ½À´Ï´Ù. ¼öõ ³â Àü¿¡ ÀÌÁýÆ®ÀεéÀº Á×Àº »ç¶÷À» º¸Á¸Çß½À´Ï´Ù. °¢°¢ÀÇ ¹Ì¶ó¸¦ ¼®°ü¿¡ µÎ¾ú½À´Ï´Ù. < ûµ¿ °Å¿ï> < ÄÝ ´ÜÁö> ¿©·¯ºÐÀº ·çºê¸£ ¹Ú¹°°ü¿¡¼ Imeneminet ¼®°üÀ» º¼ ¼ö ÀÖ½À´Ï´Ù. ·çºê¸£¹Ú¹°°ü °ø½Ä ȨÆäÀÌÁö(http://www.louvre.fr/louvrea.htm)¿¡ °¡¼Å¼ 'collections'¿¡ ÀÖ´Â 'Egyptian antiquities'¿¡ ÀÖ´Â ÀÌÁýÆ® °í ¹Ì¼úÇ°À» °¨»óÇغ¸¼¼¿ä. ÀÌ µÎ ¸¶¸®ÀÇ È²¼Ò(»ó) °¢°¢¿¡´Â ¼ö¿°ÀÌ ³ ³²ÀÚÀÇ ¸Ó¸®°¡ ÀÖ½À´Ï´Ù. Ȳ¼Ò´Â ¾Æ½Ã¸®¾Æ ±ÃÀüÀÇ ÀÔ±¸¸¦ ÁöÅ°°ï Çß½À´Ï´Ù. Á¤¸é¿¡¼ º¸¸é Ȳ¼Ò»óÀÇ ´Ù¸®°¡ µÎ °³ÀÔ´Ï´Ù. Ãø¸é¿¡¼ º¸¸é, ´Ù¸®°¡ ³× °³ÀÔ´Ï´Ù. ±×¸®°í ¾î¶² °¢µµ¿¡¼ º¸¸é ´Ù¸®°¡ ´Ù¼¸ °³Áö¿ä. ¿©±â¸¦ ´©¸£½Ã¸é 'Winged Assyrian bull '(Khorsabad, palaceof Sargon of Assyria)¸¦ º¸½Ç ¼ö ÀÖ¾î¿ä. ÇÑ ±×¸®½º µµ¿¹°¡°¡ ¿©ÀÚÀÇ ¸Ó¸®¿Í ³²ÀÚÀÇ ¸Ó¸®¸¦ Çѵ¥ ¸ð¾Æ... ÀÌ Èº´À» ¸¸µé¾ú½À´Ï´Ù. ÀÌ°ÍÀº ±â¿øÀü 6¼¼±â ´ç½ÃÀÇ ¿¹¼úÀÇ ÀϺÎÀÔ´Ï´Ù. ÀÌ µµ¿¹°¡´Â Á¡Åä·Î Ⱥ´À» ¸¸µì´Ï´Ù. ±×¸®°í´Â Èë°ú ½Ä¹°·Î ¸¸µç ¿°·á·Î Ä¥À» ÇÕ´Ï´Ù. Ⱥ´Àº °¡¸¶¿¡¼ ´Ü´ÜÇÏ°Ô ±¸¿öÁý´Ï´Ù. ÀÌ ÈǸ¢ÇÑ ºñ³Ê½º»ó (Venus de Milo) Àº ¼ö¼¼±â¿¡ °ÉÃÄ ÀüÇØ ³»·Á¿À°í ÀÖ½À´Ï´Ù. ÇÏÁö¸¸ ºñ³Ê½º»óÀº ÆÈÀ» ÀÒ¾ú½À´Ï´Ù. ÆÈÀÌ ¾ø¾îµµ ¿©ÀüÈ÷ ¾Æ¸§´ä³×¿ä. ¿©±â¸¦ ´·¯ 'Venus de Milo'À» °¨»óÇϼ¼¿ä. ·¹¿À³ª¸£µµ ´Ù ºóÄ¡°¡ ¸®»ç °Ô¶ó¸£µð´Ï(Elisabetta Gherardini)ÀÇ ÃÊ»óȸ¦ ±×·ÈÀ» ¶§, ¸®»ç ºÎÀÎÀº ÀÌ ±×¸²ÀÌ ¼¼»ó¿¡¼ °¡Àå À¯¸íÇÑ ±×¸² Áß Çϳª°¡ µÉÁöµµ ¸ð¸¥´Ù°í »ý°¢Çß½À´Ï´Ù. ÀÌ ÀÛÇ°ÀÌ ¹Ù·Î '¸ð³ª¸®ÀÚ'ÀÔ´Ï´Ù. ***'¸ð³ª¸®ÀÚ'´Â ·¹¿À³ª¸£µµ ´Ù ºóÄ¡°¡ ÇÇ·»Ã¼ÀÇ ºÎÈ£(Ý£ûß) ÇÁ¶õü½ºÄÚ µ¨ Á¶ÄÜ´Ù¸¦ À§ÇØ ±× ºÎÀÎÀÎ ¿¤¸®ÀÚº£Å¸(Elisabetta)¸¦ ±×¸° ÃÊ»óÈ·Î ¸ð³ª¸®ÀÚÀÇ '¸ð³ª'´Â ÀÌÅ»¸®¾Æ¾î·Î À¯ºÎ³à¿¡ ´ëÇÑ °æĪÀÌ°í '¸®ÀÚ'´Â ¿¤¸®ÀÚº£Å¸ÀÇ ¾àĪÀ̶ó°í ÇÕ´Ï´Ù. ¶Ç, Á¶ ÄÜ´ÙºÎÀÎÀº ÇÇ·»Ã¼ÀÇ ¾ÈÅä´Ï¿À ¸¶¸®¾Æ µð ³îµå °Ô¶ó¸£µð´Ï(Gherardini)ÀÇ µþÀ̶ó´Â±º¿ä. ¿©±â¸¦ ´·¯ 'Mona Lisa'º¸¼¼¿ä. ÀÚ, ÀÌÁ¦ ·çºê¸£ ¹Ú¹°°ü¿¡ ÀÖ´Â ¼ö¸¹Àº(¹æ´ëÇÑ) ¸íÀÛ Áß ¸î °¡Áö¸¦ »ìÆ캸Áö¿ä. 'Statue of Ebih-Il '- ¸Þ¼ÒÆ÷Ÿ¹Ì¾Æ ±â¿øÀü 2500³â °æ, ´ë¸®¼® ¿©±â¸¦ ´©¸£¼¼¿ä. 'The archers of Darius'- À̶õ, 'È°¼Ò´Â »ç¶÷'À» Á¶°¢ ÇÑ ´Ù¸®¿ì½º ±ÃÀüÀÇ ¼Òº®(á³Ûú). ¿©±â¸¦ ´©¸£¼¼¿ä. 'Seated scribe' - ÀÌÁýÆ® , ±â¿øÀü 2700-2200, ä»öµÈ ¼®È¸¾Ï ¿©±â¸¦ ´©¸£¸é º¸½Ç ¼ö ÀÖ½À´Ï´Ù. 'Model boat'- ÀÌÁýÆ®, ä»öµÈ ³ª¹« 'Torso of and athlete' -±×¸®½º, ´ë¸®¼® ¿©±â¸¦ ´·¯º¸¼¼¿ä. 'The Victory of Samothrace'- ±×¸®½º, ´ë¸®¼® ¿©±â¸¦ ´©¸£¼¼¿ä. *** Samothrace´Â 'island in the North Aegean Sea' 'Marriage sarcrophagus'- Etruscan Italy, Å׶óÄÚŸ ¿©±â¸¦ ´·¯º¸¼¼¿ä. 'Old man and boy' -Domenico Ghirlandaio(ÀÌÅ»¸®¾ÆÀÎ), ¸ñÆÇ¿¡ ±×¸° À¯È ¿©±â¸¦ ´©¸£¼¼¿ä. 'Money-lender and wife' - Quetin Metsys(³×µ¨¶õµåÀÎ), ¸ñÆÇ¿¡ ±×¸° À¯È ¿©±â¸¦ ´·¯ ±×¸²À» °¨»óÇϼ¼¿ä. 'Philippe Pot's tomb'- Antoine Le Moiturier, ¼®Àç ¿©±â¸¦ ´©¸£¼¼¿ä. 'Dying slave'- Michelangelo, ´ë¸®¼® ¿©±â¸¦ ´·¯ ¹ÌÄ̶õÁ©·ÎÀÇ ÀÛÇ°À» °¨»óÇϼ¼¿ä. 'St Joseph the Carpenter'- Georges de La Tour(ÇÁ¶û½ºÀÎ), ĵ¹ö½º À¯È ¿©±â¸¦ ´©¸£¼¼¿ä. 'The Lacemaker'- Jan Vermeer(³×µ¨¶õµåÀÎ) ¿©±â¸¦ ´©¸£¼¼¿ä. 'Horse from Marly'- Guillaume Coustou, ¼®Àç ¿©±â¸¦ ´·¯ º¸¼¼¿ä. 'Liberty Guiding the People'- Eugene Delacroix(ÇÁ¶û½ºÀÎ), ĵ¹ö½º À¯È ¿©±â¸¦ ´·¯ ÀÛÇ°À» °¨»óÇϼ¼¿ä. ·çºê¸£ÀÇ °Ç¹°µé°ú Á¤¿øµéÀº Æĸ® Á߽ɺο¡ À§Ä¡ÇÏ°í ÀÖ½À´Ï´Ù. ÇÁ¶û½º ±¹¿ÕµéÀº ±ÃÀüÀ» Áþ±â¿¡ (Á¤¸») ÁÁÀº Àå¼Ò¸¦ ¼±ÅÃÇßÁö¿ä. Æ¥¸£¸® Á¤¿ø/ Ä«·ç¼¿ °³¼±¹®/ ÇǶó¹Ìµå ÃâÀÔ±¸/ ¼¼´À°/ mummy : ¹Ì¶ó(ó·³ »ý±ä °Í) a dead body which was preserved long ago by being rubbed with special oils and wrapped in cloth. sarcophagus : ¼®°ü a large decorative coffin that was used in ancient times. charm : ÆÈÂ¼è»ç½½ µî¿¡ ´Þ¾Æ ¸ö¿¡ Áö´Ï´Â Àå½ÄÇ°. a small ornament that is fixed to a bracelet or necklace. kohl: ¾Æ¶óºñ¾Æ µîÀÇ ¿©¼ºÀÌ ´«±îÇ® µîÀ» °Ë°Ô Ä¥ÇÏ´Â µ¥ ¾²´Â °¡·ç. a cosmetic used to darken the edge of a person's eyelids kiln: (º®µ¹ µîÀ» ±Á´Â) °¡¸¶, ³ë(ÒÄ). an oven that is used to bake pottery, bricks, and timber in order to make them become hard. scribe : (Àμâ¼ú ¹ß¸í Àü¿¡ »çº»À» º£²¸¾²´ø) »çº» ÇÊ°æÀÚ a person who wrote copies of things such as letters or documents. Etruscan: ¿¡Æ®·ç¸®¾ÆÀÇ, ¿¡Æ®·ç¸®¾ÆÀÎ[¾î, ¹®¸í]ÀÇ. terracotta : ¿ø·¡´Â ±¸¿î ÈëÀ» ¶æÇÏÁö¸¸ ¾çÁúÀÇ Á¡Åä·Î ±¸¿ö³½ Åä±â·ù¸¦ ÁöĪÇϱ⵵ ÇÔ a brownish-red clay that has been baked but not glazed and that is used for making things such as flower pots, small statues, and tiles. It's a glassy Pyramid, a main entrance of the Louvre museum Francis had 'this fortress of Philip Augustus'(old castle) razed and built the Louvre of today.( ¾çÂÊ ±×¸²ÀÇ Louvre°¡ ´Ù¸¥ ÀÌÀ¯´Â ºÎ¼ö°í ´Ù½Ã Áö¾ú±â ¶§¹®À̶õ »ç½ÇÀ» ¾Ë·ÁÁÖ¼¼¿ä.) They are stone bulls with human heads Seen from the front they are motionless. But when they are seen from the side, they walk The style is characteristic of the late Hellenistic period, Mona Lisa is among the most widely popular and influential paintings. Her smile in the picture is mysterious, isn't it? Do you see the archers in ceremonial dress? This work of art is made out of glazed brick. This 'Seated scribe' with sharp eyes looks intelligent . 'Torso of an athlete'shows a standing, nude male figure 'Tomb of Philippe pot' is a funerary monument made out of painted stone. Michelangelo's Slave is best known sculpture in the Louvre. Michelangelo made two Slaves in marble unfinished . µÎ»ê¼¼°è´ë¹é°ú EnCyber http://www.eb.com/limited_search.html Collins Colbuild English Dictionary http://members.tripod.lycos.co.kr/dennisworld http://www.artcyclopedia.com/ http://louvre.pe.kr/