Landscapes 'landscrape'´Â dz°æÀ» ÁÖÁ¦·Î ±×¸° ±×¸², Áï dz°æȸ¦ ÀǹÌÇϴµ¥, dz°æÈ°¡ ȸÈÀÇ Áß¿äÇÑ ºÎºÐÀ» Â÷ÁöÇϴµ¥´Â ÀλóÆÄ È°¡µéÀÇ °øÇåÀÌ ÄÇ´Ù°í ÇÕ´Ï´Ù. »çÀüÀûÀÎ Á¤ÀǸ¦ º¸¸é 'a picture representing a view of natural inland scenery '(Merriam-Webster Online) ¶Ç´Â 'a painting which shows a scene in the countryside'(Collins cobuild)¶ó°í µÇ¾îÀÖÁö¿ä. Jan van Eyck, Vincent van Gogh, Claude Monet, Alfred Sisley, Henri Matisse ¿Ü ¿©·¯ È°¡µéÀÇ Ç³°æȸ¦ °¨»óÇϽðí, ¾ÆÀ̵éÀÌ ÁÖº¯ dz°æÀ» ½ºÄÉÄ¡ºÏ¿¡ Ç¥ÇöÇغ¼ ¼ö ÀÖµµ·Ï °Ý·ÁÇØÁÖ¼¼¿ä. Ã¥ ¼ÓÀÇ °¶·¯¸®¿¡ Àü½ÃµÈ ±×¸²°ú ÇÔ²², ±× ±×¸²À» °¨»óÇÏ´Â »ç¶÷µéÀÇ ÀÇ»óÀ̳ª Á¦½ºÃ³ µîÀ» »ìÆ캸´Â °Í ¶ÇÇÑ Å« Áñ°Å¿òÀÌ µÉ °ÍÀ̸ç, ÀÛÇ°ÀÇ ¾î´À ÇÑ ºÎºÐ¸¸À» º¸°í ¾î¶² ±×¸²¿¡¼ ºÃ¾ú´ÂÁö »ý°¢ÇØ Ã£´Â ³îÀ̵µ ÀØÁö ¸¶¼¼¿ä. ¾Æ¸¶ ¾ÆÀ̵éÀº ¾î¸¥º¸´Ù ÈξÀ ¿¹¸®ÇÏ°Ô ±×¸²À» °üÂûÇÏ°í ³î¶ó¿ì¸®¸¸Å ±Ý»õ ÀÛÇ°À» ã¾Æ ³¾°Å¿¹¿ä. ¾Æ¿ï·¯, Ã¥ ¼Ó¿¡ ¼Ò°³µÈ È°¡ÀÇ Ç³°æÈ ¿Ü¿¡ ´Ù¾çÇÑ ±×¸²¼¼°è¸¦ ÀÎÅͳÝÀ» ÅëÇؼ, ¶Ç ´Ù¸¥ ù¹ß°ß ¾ÆÆ® ½Ã¸®Áî°ú ÇÔ²² °¨»óÇϽöó°í ±ÇÇص帮°í ½Í½À´Ï´Ù. ¿¡ÀÌÅ©( Jan van Eyck)°¡ ±×¸° ÀÌ ÀÛÇ°¿¡ ¸î ¸íÀÇ »ç¶÷À̳ª º¸ÀԴϱî? ±×¸²À» º¼ ¶§¸¶´Ù ¸Å¹ø Á» ´õ ¸¹Àº »ç¶÷µéÀ» º¸°Ô µÉ °Å¿¹¿ä. ³Ê¹« ¸¹Àº »ç¶÷µéÀÌ ÀÖ¾î¼ ÀüºÎ¸¦ ´Ù ¼¿ ¼ö´Â ¾ø½À´Ï´Ù. Jan van Eyck´Â ÇüÀÎ Hubert van Eyck°ú ÇÔ²² Çöûµå¸£ ÈÆÄÀÇ ±âÃʸ¦ ´Û°í À¯ÈÀÇ ±â¹ýÀ» °³·®ÇÏ¿´´Ù°í ÇÕ´Ï´Ù. ÀÚ¿¬ ±×´ë·ÎÀÇ ¸®¾ó¸®Áò°ú °æ°ÇÇÔÀÌ ³ÑÄ¡´Â Á¾±³ÀûÀÎ ºÐÀ§±â¸¦ Ç¥ÇöÇϴµ¥ ¶Ù¾î³µ°í, ƯÈ÷ Çöûµå¸£¿¡ ÃÊ»óÈ À帣¸¦ È®¸³Çߴٴ±º¿ä. ¿©±â¸¦ ´·¯ 'The Virgin of Chancellor Rolin(Madonna of Chancellor Rolin) 'À» °¨»óÇϼ¼¿ä. ¿©±â Áý ¹Û¿¡ ¹Ý °íÈå(Vincent van Gogh)°¡ ÀÖ½À´Ï´Ù. °íÈå°¡ ¿ì¸®¿¡°Ô ÀÚ½ÅÀÇ ±×¸²À» °¨»óÇϵµ·Ï ÇØÁÝ´Ï´Ù. °íÈå´Â ³ëµ¿ÀÚ, ³ó¹Î µî ÇÏÃþ¹ÎÀÇ ¸ð½À, ÁÖº¯»ýÈ°À̳ª dz°æ µîÀ» ÁÖ·Î ÈÆø¿¡ ´ã¾ÒÀ¸¸ç, »ýÀü¿¡´Â ±× ÀÛÇ°¼¼°è¸¦ ÀÎÁ¤¹ÞÁö ¸øÇÏ¿´À¸³ª, ÇöÀç´Â ±× Á¤¿ÀûÀÎ ÀÛÇ°ÀÌ ³ô°Ô Æò°¡µÇ°í ÀÖ½À´Ï´Ù. ¿©±â¸¦ ´·¯ 'Van Gogh's House at Arles'¸¦ °¨»óÇϼ¼¿ä. ¿©±â¸¦ ´©¸£¸é 'Self-Portrait'¸¦ º¸½Ç ¼ö ÀÖ½À´Ï´Ù. ¿©±â¸¦ ´·¯ 'The Bedroom at Arles'¸¦ º¸¼¼¿ä. ¿©±â¿¡ °¡½Ã¸é 'Olga's Gallery'ÀÇ °íÈå ÀÛÇ° 122Á¡À» º¸½Ç ¼ö ÀÖ¾î¿ä. ¸ð³×(Claude Monet)°¡ º×À¸·Î ¹°°¨À» ¸î ¹ø Ä¥Çϸé (¸ð³×ÀÇ ¾à°£ÀÇ ÅÍÄ¡·Î) ¿ì¸®´Â 'Çص¸ÀÌ'¸¦ º¾´Ï´Ù. ¸ð³×´Â ÀÚ¿¬À» °¨½Î°í ÀÖ´Â ´ë±âÀÇ ´µ¾Ó½º³ª ºûÀ» ¹Þ¾Æ º¯ÈÇϴ dz°æÀÇ ¼ø°£Àû ¾ç»óÀ» ¹¦»çÇÏ´Â µ¥ ¶Ù¾î³ ÇÁ¶û½ºÀÇ ÀλóÆÄÈ°¡ÀÔ´Ï´Ù. ¿©±â¿¡¼ 'Impression: Sunrise'¸¦ °¨»óÇϼ¼¿ä. 'Landscapes'Ã¥ Ç¥Áö ±×¸²ÀÎ 'Pool of Waterlilies'´Â ¿©±â¸¦ ´©¸£¸é º¼ ¼ö ÀÖ½À´Ï´Ù. ½Ã½½·¹(Alfred Sisley)´Â ¿ÀÀü¿¡ ÀÌ ±³È¸¸¦ ±×·È½À´Ï´Ù. Àú³á¿¡ (°°Àº)±³È¸¸¦ ´Ù½Ã ±×·ÈÁö¿ä. ¿©·¯ºÐÀÌ »ì°íÀÖ´Â °Ç¹°À» »ìÆ캸°í, ÇϷ絿¾È ±× »öÀÌ ¾î¶»°Ô º¯ÇÏ´ÂÁö º¸¼¼¿ä. ½Ã½½·¹´Â ¸ð³×, ÇÇ»ç·Î¿Í ÇÔ²² ´ëÇ¥ÀûÀÎ ÀλóÆÄ¿¡ ¼ÓÇϸç ƯÈ÷ ¼ø¼öÇÑ Ç³°æÈ°¡·Î¼ Æĸ®¸¦ Áß½ÉÀ¸·Î ÇÑ ÁÖº¯ Áö¹æÀÇ ÀÚ¿¬À» ´ë»óÀ¸·Î ¹°°ú ½£ÀÇ ¹Ý¦ÀÓÀ» ¹¦»çÇÑ ¸¹Àº ¼öÀÛÀ» ³²°å´Ù°í ÇÕ´Ï´Ù. ¿©±â¸¦ ´©¸£¸é 'The Church at More, Morning Light'À» º¸½Ç ¼ö ÀÖ½À´Ï´Ù. ¿©±â¸¦ ´·¯ 'The Church at Moret, Evening'À» º¸¼¼¿ä. ¿ÀÀü°ú Àú³áÀ̶ó´Â ½Ã°£ º¯È¿¡ µû¸¥ ±³È¸¸¦ ¸ð½ÀÀ» ºñ±³Çغ¸¼¼¿ä. ±×¸®°í ¿©±â¿¡ °¡½Ã¸é Icy weather, WinterÀÇ ±³È¸ ±×¸²µµ º¸½Ç ¼ö ÀÖ½À´Ï´Ù. °°Àº ±³È¸¸¦ º¸°í ¹«·Á ³× ÀåÀÇ ±×¸²À̳ª ±×·È³×¿ä. °¢°¢ÀÇ ºÐÀ§±â Â÷À̸¦ ´À²¸º¸½Ã±â ¹Ù¶ø´Ï´Ù. ¸¶Æ¼½º(Henri Matisse)ÀÇ ±×¸²¿¡¼´Â Á¾Á¾ â¹®À» ¹ß°ßÇÒ ¼ö ÀÖ½À´Ï´Ù. ¶Ç, ¸¶Æ¼½ºÀÇ Ã¢¹®¿¡¼ ±×¸²À» ¹ß°ßÇÏ°ï ÇÏÁö¿ä. »öäȰ¡·Î¼ÀÇ ÃµºÎÀûÀÎ ÀçÁúÀ» Áö´Ñ ¸¶Æ¼½º´Â ÀڽŸ¸ÀÇ È®°íÇÑ ¿¹¼ú¼¼°è¸¦ ±¸ÃàÇØ ÇÇÄ«¼Ò¿Í ´õºÒ¾î 20¼¼±â ȸÈÀÇ ÁöħÀÌ µÇ¾ú½À´Ï´Ù. ¿©±â¸¦ ´·¯ ¸¶Æ¼½ºÀÇ 'Self-Porrait'¸¦ º¸¼¼¿ä. ¿©±â¸¦ ´©¸£½Ã¸é 'Open Window'¸¦ °¨»óÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù. ¿©±â¿¡ °¡¸é 'Olga's Gallery'ÀÇ ¸¶Æ¼½ºÀÇ ÀÛÇ° 158Á¡À» º¼ ¼ö ÀÖ½À´Ï´Ù. ±×·±µ¥, Ã¥¿¡ ¼Ò°³µÈ 'View from a Window' ¿Í 'The Painter in his Studio'´Â ã¾Æº¼ ¼ö°¡ ¾ø³×¿ä. ù¹ß°ß ¾ÆÆ®½Ã¸®Áî 'Henri Matisse'¿¡¼ ±×ÀÇ ´ëÇ¥ÀÛÀ» »ìÆ캸¼¼¿ä. ÀÌ ±×¸²¿¡¼ ¸¶±×¸®Æ®(Rene magritte)´Â ±×¸² µÚ¿¡ ¹«¾ùÀÌ ÀÖ´ÂÁö¸¦ º¸¿©ÁÖ´Â ¶Ç ´Ù¸¥ ±×¸²À» ±×·È½À´Ï´Ù. ÀÌ°ÍÀÌ ¹Ù·Î 'ÃÊÇö½ÇÁÖÀÇ'ÀÔ´Ï´Ù. ¿©±â ¸¶±×¸®Æ®°¡ ±×¸° À¯¸íÇÑ ¼¼ ÀÛÇ°ÀÌ ÀÖ½À´Ï´Ù. ¸¶±×¸®Æ®´Â öÇп¡ Á¶¿¹°¡ ±í¾úÀ¸¸ç ÀÛÇ°À» ÅëÇØ Ã¶ÇÐÀ» ÇÑ´Ù°í ¹Ï¾ú½À´Ï´Ù. ±×ÀÇ ÀÛÇ°Àº ¾ð¶æ º¸±â¿¡´Â ºñÇÕ¸®ÀûÀ¸·Î º¸ÀÌÁö¸¸ »ç½ÇÀº öÀúÇÏ°Ô ³í¸®ÀûÀÌ°í öÇÐÀûÀÎ ±Ù°Å¸¦ ¹ÙÅÁÀ¸·Î ÇÑ´Ù°í ÇÕ´Ï´Ù. ¿©±â¿¡ °¡ 'The Human Conditions'À» °¨»óÇϼ¼¿ä. ¿©±â¸¦ ´©¸£¸é ' The Therapist'¸¦ º¼ ¼ö ÀÖ¾î¿ä. ¿©±â¸¦ ´·¯ ' The Treachery of Images'¸¦ º¸¼¼¿ä. Å©¸®½ºÅä(Christo)´Â ƯÀÌÇÑ Ç³°æÀÛÇ°À» âÁ¶Çس½À´Ï´Ù. Æĸ®¿¡ ÀÖ´Â Æþ³×ÇÁ ´Ù¸®¸¦ õ(Á÷Á¶µÈ Æú¸®¾Æ¹Ìµå õ)À¸·Î Æ÷ÀåÇß½À´Ï´Ù. Á¤¸» ´ë´ãÇÑ »ý°¢ ¾Æ´Õ´Ï±î! ºÒ°¡¸®¾Æ Ãâ½ÅÀÇ ¹Ì±¹ ¹Ì¼ú°¡ÀÎ Å©¸®½ºÅä´Â Ãß»óȸ¦ ±×¸®¸ç »ì¾Æ ÀÖ´Â ¸ðµ¨À̳ª ¿ÀºêÁ¦(º´, ÀÇÀÚ, ÀâÁö)ÀÇ Æ÷ÀåÀ» óÀ½ ½ÃµµÇÏ¿´°í °ø°ø°Ç¹°ÀÇ Æ÷ÀåÀ» ±¸»óÇϱ⵵ ÇÏ¿´½À´Ï´Ù. Ã¥¿¡¼ ¼Ò°³ÇÏ°í ÀÖ´Â Æĸ®ÀÇ Æþ³×ÇÁ ´Ù¸®¸¦ Æ÷ÀåÇÑ ÀÛÇ°¿Ü¿¡µµ ¿À½ºÆ®·¹Àϸ®¾ÆÀÇ ¾Ï¼®ÀÌ ¸¹Àº Çغ¯À» ÈòõÀ¸·Î Æ÷ÀåÇÑ ÀÛÇ°, ÄÝ·Î¶óµµ °è°îÀ» °Å´ëÇÑ ¿À·£Áö»ö À帷À» ÃÄ µÑ·Î ³ª´« ÀÛÇ° µîÀÌ ÀÖ½À´Ï´Ù. ÀÚ, ÀÌÁ¦ ¿ì¸® ȶû¿¡ Àִ dz°æȸ¦ º¸¼¼¿ä. 'Tres Riches Heures du Duc de Berry'- Limbourg ÇüÁ¦, ¾çÇÇÁö¿¡ ±×¸° ÅÛÆä¶óÈ ¿©±â¸¦ ´·¯ Çʸ³ ¾Æ±Í½ºÆ® ¿Õ¶§ÀÇ ·çºê¸£ ±ÃÀ» ¸¸³ªº¸¼¼¿ä. 'A street in Delft'- Jan Vermeer º£¸£¸Þ¸£´Â ³×µ¨¶õµå µ¨ÇÁÆ® Ãâ½ÅÀ¸·Î ±×ÀÇ ±×¸²Àº ¶Ù¾î³ »öÁ¶¿Í, ¸¼°í ºÎµå·¯¿î ºû°ú »öÀÇ Á¶È¸¦ Ư¡À¸·Î ÇÏ°í ½Ç³»Á¤°æÀÇ °ÅÀåÀ¸·Î ÀÏÄþîÁý´Ï´Ù. ¿©±â¸¦ ´·¯º¸¼¼¿ä. 'Shower Below the summit, Mount Fuji'- Katsushika Hokusai ¿©±â¸¦ ´·¯ ¸ñÆÇÈ·Î µÈ ÈÄÁö»ê Á¤»óÀ» °¨»óÇϼ¼¿ä. 'Towers of a Thousand Eyes' - William Samuel Horton, ĵ¹ö½ºÀ¯È 'A Street in Paris: Rain' - Gustave Caillebotte Ä«À¯º¸Æ®´Â ¼¹ÎÃþÀÇ Ç³¼ÓÈ ¹× dz°æȸ¦ Áñ°Ü±×¸° ÀλóÆÄ È°¡ÀÔ´Ï´Ù. ¿©±â·Î °¡ ±×¸²À» °¨»óÇϼ¼¿ä. 'Sunday Afternoon, the Grande Jatte' - Georges Seurat ¼è¶ó´Â ½ÅÀλóÁÖÀǹ̼úÀ» ´ëÇ¥ÇÏ´Â ÇÁ¶û½ºÀÇ È°¡·Î '±×¶ûµå ÀÚÆ®¼¶ÀÇ ÀÏ¿äÀÏ ¿ÀÈÄ'´Â ¼ø¼ö»öÀÇ ºÐÇÒ°ú ±×°ÍÀÇ »öä´ëºñ¿¡ ÀÇÇÑ ½ÅÀλóÁÖÀÇÀÇ È®¸³À» º¸¿©ÁØ ÀÛÇ°À¸·Î Æò°¡¹Þ½À´Ï´Ù. ¿©±â·Î °¡º¸¼¼¿ä. ÀÌ ¼¼ºÎ¹¦»ç ±×¸²Àº ¸ðµÎ ÀÌ Ã¥ ¼ÓÀÇ ÀÛÇ°ÀÇ ÀϺκÐÀÔ´Ï´Ù. ¾î´À ¼¼ºÎ¹¦»ç ±×¸²ÀÌ ¾î¶² ÀÛÇ°¿¡ ¼ÓÇÏ´Â °ÍÀÎÁö ±¸ºÐÇÒ ¼ö ÀÖ°Ú¾î¿ä? ÀÌÁ¦ ÀÌ ¸ðµç dz°æȸ¦ ´Ù ºÃÀ¸´Ï±î ¿©·¯ºÐµµ â¹®¿¡¼ ³»´Ùº» °æÄ¡À» ±×·Áº¼ ¼ö ÀÖÀ» °Å¿¹¿ä. chancellor: °¢Á¾ ´ë¹ý°ü[°í°ü]ÀÇ ÄªÈ£. ·Î¸¶ °¡Å縯 ±³È²Ã» »ó¼±¹Àå(ßÆßöÏÑíþ), ÁÖ±³±¸ »ó¼ ´ã´çÀÚ. surrealist : ÃÊÇö½ÇÁÖÀÇ 'Surrealism' is a style in art and literature in which ideas, images, and objects are combined in a strange dreamlike way. 'surrealist' means related to or in the style of surrealism. treachery : ¹è¹Ý, ¹è½Å, ±â¸¸ behavior or an action in which someone betrays their country or betrays a person who trusts them. tempera: ÅÛÆä¶ó(È), ¶óƾ¾îÀÇ temperare(¾È·á¿Í ¸ÅüÀÇ È¥ÇÕ)¸¦ ¾î¿øÀ¸·Î ÇÏ´Â ±×¸²¹°°¨ÀÇ ÀÏÁ¾. ³È², ³¹é, ¾Æ±³Áú, ¹ú²Ü, ¹«È°ú³ª¹«ÀÇ ¼ö¾× ¶Ç´Â ¾çÀ̳ª ¿°¼Ò, ±âŸÀÇ ¼öÇÇ(â®ù«)·Î ¸¸µç ÄÝ·ÎÀÌµå ¹°Áú µîÀ» ´Üµ¶ ¶Ç´Â Àû´çÇÏ°Ô ¾È¹èÇÑ °ÍÀ» ¸Å°³Á¦·Î ½á¼ ä»öÀÇ Á¤ÂøÀ» ±âÇÑ ºÒÅõ¸í ¹°°¨ ¶Ç´Â ÀÌ°ÍÀ¸·Î ±×¸° ±×¸² a process of painting in which an albuminous or colloidal medium (as egg yolk) is employed as a vehicle instead of oil parchment : ¾çÇÇÁö the skin of a sheep or goat that was used for writing on. a kind of thick yellowish paper. You can see lots of landscapes in this book. I wonder how some world-famous artists showed countryside scenes in their pictures. Do you still believe you can count all the people in this picture? This magnified painting shows lots of people on the bridge, in the boat, and on the street over here. It's 'Self-Portrait' by Van Gogh. What do you think will be revealed on this painting when you turn the transparent page? It's the Sun just coming up. Let's see some changes of the church through the day. It's the Pont-Neuf bridge Chrito wrapped with woven polyamide fabric. It looks a very unique landscape. Why do they cover their ears? Do they think it's an active volcano and will erupt soon? What made this puddle? It isn't raining in the gallery. How amazing! Do you know What painting does this detail belong? This is from 'Sunrise' by Monet. µÎ»ê¼¼°è´ë¹é°ú EnCyber Collins Colbuild English Dictionary http://www.m-w.com/ http://www.artcyclopedia.com/ http://my.dreamwiz.com/2000baby/home.htm